Organ : 3 keyboards , pedalboard - 17 stops
This organ, mainly conceived for the accompaniment of the sisters' singing of which the vocal technique, fine and transparent, makes a kind of " echo" to the silence of this abbatial chapel.
Its voicing was treated in a "retained" way, keeping however its timbre. The wind pressure is thus not very high and the mouths of the pipes are low.
A single windchest with alternated groove channels groups the division of Great-Organ and Positive. The Solo is over this device, the Pedal's stops are behind the case over the cuneiform bellows of 8 feet x 4 feet which feeds the organ.
The case is in maple tree and wild cherry, sculptures are in lime tree, they represent sheafs of wheat, motives present in the various stained-glass windows of the chapel.
Composition :
| Positif - 56 notes | Grand-Orgue - 56 notes | Récit - 56 notes | Pédale - 30 notes |
| Bourdon 8' | Montre 8' | Flûte conique ou Viole 8' | Bourdon 16' |
| Flûte traversine 8' | Prestant 4' | Flûte conique ou Viole 4' | Flûte 8' |
| Flûte 4' | Doublette 2' | Anche 8' | |
| Nazard 2 2/3' | Plein jeu 4 à 5 rangs | Régale | |
| Quarte 2' | Cromorne 8' | ||
| Tierce 1 3/5' |
Coupler Pos/G.O. - Récit/G.O.
Pedalcoupler I, II, III et pedalboard en 4 - Tremulant
audio recordings :
Leguay -Jean-Pierre Leguay, Dominique Vellard (ténor)
S.A.R.L Orgues P. Quoirin
246 Rue des Artisans
84210 Saint-Didier